The literary legacy of an unconventional writer
The town of Yannis Skarimbas could not do without a museum dedicated to the renowned author. Although he was not a native of Chalkida—originating from Fokida—he lived his entire life in Chalkida. In fact, prompted by the museum featuring heirlooms of Stratis Myrivilis on Lesbos Island, it appears that Skarimbas wrote a letter to the then Mayor of Chalkida and requested the establishment of a museum in his honour, certainly in an ironic and self-sarcastic manner. It is worth reading this letter in his last book, The Birds with the Rubber Band, published in 1978 (also available on the Museum website), which perfectly showcases the unique style and personality of this great writer.
At the museum, visitors come closer to the prolific and unconventional creator by viewing his personal belongings. You will hear fascinating stories from his life and details that reveal his legendary sarcasm—like the fake pistol he allegedly used to greet journalists. Items such as his razor and glasses, his worry beads, extensive photographic material, handwritten notes, and letters unlock even more facets of his character.
Also of exceptional interest are his Karagiozis shadow puppet figures, which he himself called chartonοmoutra (cardboard faces). They testify to his contribution to the Shadow Theatre, a folk art he cherished deeply. He even organised performances in his own courtyard, using his own scripts and puppets made from cheap materials.
The same building houses the Yannis Skarimbas Archive, containing his writings and materials documenting his life and artistic work. Both the museum and archive are maintained by the Friends of Y. Skarimbas Association, which preserves his memory and supports research.
At the museum, visitors come closer to the prolific and unconventional creator by viewing his personal belongings. You will hear fascinating stories from his life and details that reveal his legendary sarcasm—like the fake pistol he allegedly used to greet journalists. Items such as his razor and glasses, his worry beads, extensive photographic material, handwritten notes, and letters unlock even more facets of his character.
Also of exceptional interest are his Karagiozis shadow puppet figures, which he himself called chartonοmoutra (cardboard faces). They testify to his contribution to the Shadow Theatre, a folk art he cherished deeply. He even organised performances in his own courtyard, using his own scripts and puppets made from cheap materials.
The same building houses the Yannis Skarimbas Archive, containing his writings and materials documenting his life and artistic work. Both the museum and archive are maintained by the Friends of Y. Skarimbas Association, which preserves his memory and supports research.
